A portrait of the nineteenth-century queer actress draws on rare correspondence to trace her radical formative years, glittering performances, and professional affiliations that shaped the cultural landscapes of nineteenth-century New York City. - (Baker & Taylor)
A portrait of the less-remembered 19th-century queer actress draws on rare correspondence to trace the radical formative years, glittering performances and professional affiliations that shaped the cultural landscapes of 19th-century New York City. 40,000 first printing. Illustrations. - (Baker & Taylor)
Finalist for a Lambda Literary Award
Finalist for the Publishing Triangle’s Judy Grahn Award for Lesbian Nonfiction
Finalist for the Marfield Prize
For fans of Book of Ages and American Eve, this “lively, illuminating new biography” (The Boston Globe) of 19th-century queer actress Charlotte Cushman portrays a “brisk, beautifully crafted life” (Stacy Schiff, bestselling author of The Witches and Cleopatra) that riveted New York City and made headlines across America.
All her life, Charlotte Cushman refused to submit to others’ expectations. Raised in Boston at the time of the transcendentalists, a series of disasters cleared the way for her life on the stage—a path she eagerly took, rejecting marriage and creating a life of adventure, playing the role of the hero in and out of the theater as she traveled to New Orleans and New York City, and eventually to London and back to build a successful career. Her Hamlet, Romeo, Lady Macbeth, and Nancy Sykes from Oliver Twist became canon, impressing Louisa May Alcott, who later based a character on her in Jo’s Boys, and Walt Whitman, who raved about “the towering grandeur of her genius” in his columns for the Brooklyn Daily Eagle. She acted alongside Edwin and John Wilkes Booth—supposedly giving the latter a scar on his neck that was later used to identify him as President Lincoln’s assassin—and visited frequently with the Great Emancipator himself, who was a devoted Shakespeare fan and admirer of Cushman’s work. Her wife immortalized her in the angel at the top of Central Park’s Bethesda Fountain; worldwide, she was “a lady universally acknowledged as the greatest living tragic actress.” Behind the scenes, she was equally radical, making an independent income, supporting her family, creating one of the first bohemian artists’ colonies abroad, and living publicly as a queer woman. And yet, her name has since faded into the shadows.
Now, her story comes to brilliant life with Tana Wojczuk’s Lady Romeo, an exhilarating and enlightening biography of the 19th-century trailblazer. With new research and rarely seen letters and documents, Wojczuk reconstructs the formative years of Cushman’s life, set against the excitement and drama of 1800s New York City and featuring a cast of luminaries and revolutionaries who changed the cultural landscape of America forever. The story of an astonishing and uniquely American life, Lady Romeo reveals one of the most remarkable forgotten figures in our history and restores her to center stage, where she belongs. - (Simon and Schuster)
Finalist for a Lambda Literary Award
Finalist for the Publishing Triangle's Judy Grahn Award for Lesbian Nonfiction
Finalist for the Marfield Prize
For fans of Book of Ages and American Eve, this 'lively, illuminating new biography' (The Boston Globe) of 19th-century queer actress Charlotte Cushman portrays a 'brisk, beautifully crafted life' (Stacy Schiff, bestselling author of The Witches and Cleopatra) that riveted New York City and made headlines across America.
All her life, Charlotte Cushman refused to submit to others' expectations. Raised in Boston at the time of the transcendentalists, a series of disasters cleared the way for her life on the stage'a path she eagerly took, rejecting marriage and creating a life of adventure, playing the role of the hero in and out of the theater as she traveled to New Orleans and New York City, and eventually to London and back to build a successful career. Her Hamlet, Romeo, Lady Macbeth, and Nancy Sykes from Oliver Twist became canon, impressing Louisa May Alcott, who later based a character on her in Jo's Boys, and Walt Whitman, who raved about 'the towering grandeur of her genius' in his columns for the Brooklyn Daily Eagle. She acted alongside Edwin and John Wilkes Booth'supposedly giving the latter a scar on his neck that was later used to identify him as President Lincoln's assassin'and visited frequently with the Great Emancipator himself, who was a devoted Shakespeare fan and admirer of Cushman's work. Her wife immortalized her in the angel at the top of Central Park's Bethesda Fountain; worldwide, she was 'a lady universally acknowledged as the greatest living tragic actress.' Behind the scenes, she was equally radical, making an independent income, supporting her family, creating one of the first bohemian artists' colonies abroad, and living publicly as a queer woman. And yet, her name has since faded into the shadows.
Now, her story comes to brilliant life with Tana Wojczuk's Lady Romeo, an exhilarating and enlightening biography of the 19th-century trailblazer. With new research and rarely seen letters and documents, Wojczuk reconstructs the formative years of Cushman's life, set against the excitement and drama of 1800s New York City and featuring a cast of luminaries and revolutionaries who changed the cultural landscape of America forever. The story of an astonishing and uniquely American life, Lady Romeo reveals one of the most remarkable forgotten figures in our history and restores her to center stage, where she belongs. - (Simon and Schuster)
Tana Wojczuk is a contributing editor at Guernica and teaches writing at New York University. Her work has appeared in The New York Times, New York Times Magazine, The New Yorker, Tin House, The Believer, Bomb, Narrative, Vice, and elsewhere. She was a finalist for the Gulf Coast Nonfiction Prize judged by David Shields, Helene Wurlitzer Foundation fellow, Tin House Summer Writers Workshop poetry fellow, and research fellow in the New York University Global Scholars program. She received her MFA in nonfiction writing from Columbia University. A Boulder native, she currently lives in Brooklyn, New York. Her first book, Lady Romeo: The Radical, Revolutionary Life of Charlotte Cushman, America's First Celebrity was a finalist for the Marfield Prize National Award for Arts Writing, Publishing Triangle award, and a LAMBDA Literary Award. - (Simon and Schuster)
Tana Wojczuk is a contributing editor at Guernica and teaches writing at New York University. Her work has appeared in The New York Times, New York Times Magazine, The New Yorker, Tin House, The Believer, Bomb, Narrative, Vice, and elsewhere. She was a finalist for the Gulf Coast Nonfiction Prize judged by David Shields, Helene Wurlitzer Foundation fellow, Tin House Summer Writers Workshop poetry fellow, and research fellow in the New York University Global Scholars program. She received her MFA in nonfiction writing from Columbia University. A Boulder native, she currently lives in Brooklyn, New York. Her first book, Lady Romeo: The Radical, Revolutionary Life of Charlotte Cushman, America's First Celebrity was a finalist for the Marfield Prize National Award for Arts Writing, Publishing Triangle award, and a LAMBDA Literary Award. - (Simon and Schuster)
